Search models, users, collections, and posts

Randy Rhoads Polka Dot Flying V mini guitar model

Print Profile(1)

All
P2S
P1P
X1E
P1S
X2D
X1
A2L
X1 Carbon
A1
H2C
H2D Pro
H2S
H2D

0.2mm layer, 2 walls, 15% infill
0.2mm layer, 2 walls, 15% infill
Designer
9.9 h
2 plates

Open in Bambu Studio
Boost
9
21
3
2
3
4
Released 

Description

Hi, and welcome to my model page. To see this and many more guitar models like it, please come see mine and ML Innovations collection of guitar models and accesories using this link below: https://makerworld.com/en/collections/5352306-wallymocha-ml-innovation

 

This is the third of four of Randy Rhoads guitars that I am working to release. The Sandoval Randy Rhoads Dot V guitar is such an icon. I worked my hardest to try and get the details right. This is also one of the easiest models from my collection to print and assemble. 

 

The flying V polka-dot guitar—better known as the Dot V—was custom-built in 1979 for Randy Rhoads by Karl Sandoval, and it became one of the most recognizable guitars in rock history.

Here’s the short version of its story:

  • The idea started with another custom V guitar. Randy saw a tiger-striped V that Sandoval had built for George Lynch and contacted Sandoval to make something of his own. 
  • Randy designed the concept himself. He wanted a guitar that combined:
    • the feel of his 1972 Gibson Les Paul Custom
    • the aggressive look of a Flying V
    • a Fender-style tremolo bridge for expressive playing
      Sandoval worked with Randy directly to turn the sketches into a real instrument. 
  • The polka-dot finish was intentional, not random. Randy requested a black body with large white dots and bowtie fret inlays to visually match his stage clothes. Sandoval says the original had 275 dots, applied by hand through a labor-intensive finishing process. 
  • The hardware reflected the hot-rodding culture of late-1970s Southern California. The guitar used:
    • a DiMarzio Super Distortion pickup in the bridge
    • a DiMarzio PAF in the neck
      That setup helped create the high-output, articulate sound associated with Randy’s playing. 
  • It wasn’t originally built under a major brand. Randy specifically asked for no company logos on the guitar, which is one reason Sandoval’s contribution wasn’t widely recognized for years. 
  • The guitar became iconic after Randy joined Ozzy Osbourne. Once videos like Crazy Train reached audiences, the Dot V became inseparable from Randy’s image and helped define the visual identity of early metal guitar culture.

 

 

For best results. I recommend using a High Flow nozzle (I use 0.4mm HF). And a supertack cool build plate from Bambu or Biqu. These are what I recommend for best adhesion and best speed.

 

I have made a general video describing my many techniques of making these guitar models. I use mostly just super glue, flat file, sand paper and a select size of drill bits to build them. And I use 0.25mm fishing line to add the strings to the model. I go over this in fine detail, just follow the link below for more:

 

 

Boost Me (for free)

Thank you for your support with a free boost :) A small and free contribution from you, goes a long way for me. 

 

If you like my models and would like to support me directly by buying me a coffee. Please follow this link: https://buymeacoffee.com/waldek911ws. Any support is greatly appreciated and helps me print more models to share. :)

 

I am still very new to this hobby. Especially with BambuLab. If you ever experience any troubles with my prints. Please do not hesitate to contact me directly in the Makerworld chat. I will troubleshoot to the best of my abilities and as promptly as I can. Thank you, and happy printing my friends.

 

Wally

 

 

 

Comment & Rating (3)

(0/1000)

License

This user content is licensed under a Standard Digital File License.

You shall not share, sub-license, sell, rent, host, transfer, or distribute in any way the digital or 3D printed versions of this object, nor any other derivative work of this object in its digital or physical format (including - but not limited to - remixes of this object, and hosting on other digital platforms). The objects may not be used without permission in any way whatsoever in which you charge money, or collect fees.