Search models, users, collections, and posts

King Arthur Gallos sculpture

IP Report

Print Profile(4)

All
A1 mini
P1S
P1P
X1
X1 Carbon
X1E
A1
H2D
H2D Pro
H2S
P2S
H2C
X2D
A2L

More supports, Slower Speed
More supports, Slower Speed
Designer
11.4 h
1 plate
4.9(134)

0.16mm layer, 3 walls, 15% infill
0.16mm layer, 3 walls, 15% infill
9.7 h
1 plate
5.0(31)

0.2mm layer, 3 walls, 15% infill
0.2mm layer, 3 walls, 15% infill
7.5 h
1 plate
5.0(5)

Sword breaking while printing mitigated (Bambu A1)
Sword breaking while printing mitigated (Bambu A1)
13.7 h
2 plates
5.0(4)

Open in Bambu Studio
Boost
1995
4028
251
212
2.7 k
1.2 k
Released 

Description

During my recent trip to Tingatel Castle in Cornwall, UK, I discovered a captivating sculpture of King Arthur positioned along the breathtaking cliffs of the Atlantic coast. Instantly captivated by its beauty, I felt compelled to recreate a digital 3D version upon returning home, enabling me to produce a personalized replica through 3D printing. It's important to acknowledge the original sculptor, Rubin Eynon, as the mastermind behind this masterpiece; my contribution lies solely in bringing it to the digital realm for the 3D printing community to appreciate.


I've meticulously crafted the design with 3D printing in mind, ensuring that it can be printed seamlessly without the necessity for support structures. However, it's crucial to note that the sword's dimensions, being both thin and tall, pose a potential risk of failure if printed on a bed slinger machine at high speeds. Drawing from personal experience, I've printed this model on both Bambu A1 and P1S printers without the use of supports and the A1 was a fail.

Needless to say my profile has supports enabled for the sword to help keep it stable.

 

 

Comment & Rating (251)

(0/1000)

License

This user content is licensed under a Standard Digital File License.

You shall not share, sub-license, sell, rent, host, transfer, or distribute in any way the digital or 3D printed versions of this object, nor any other derivative work of this object in its digital or physical format (including - but not limited to - remixes of this object, and hosting on other digital platforms). The objects may not be used without permission in any way whatsoever in which you charge money, or collect fees.